
HoBo (Henriëtte van ’t Hoog & Anneke Bosma), still from the video Santé, 2024, 4:55 min
VDHP Video Biennial
windows Van der Helstplein 3
1072 PH Amsterdam
Netherlands
December 8, 2025 – March 6, 2026
Opening: Thursday, December 11, 5:30–7:00 pm
After four successful editions, the fifth edition of the VDHP Video Biennial is now underway at Van der Helstplein Etalages in Amsterdam. Video works by fifteen artists are on display in twelve windows.
A mourning ritual, a dog’s gaze, a rebellious animation, a vanitas installation, a couple in a headlock, a sneaky peek, an animation in which mouths try to form words, an eternal thread, an abstract representation of a window in a mirrored cabinet, an animation of digital images, feet that scroll, hands that push a face into various shapes, objects thrown on a table, and a portrait of steaming sauna visitors.
Video art in public space, freely accessible, yet intimate thanks to its small size. You can walk by and pause for a moment, catch a glimpse of what’s happening behind the windows, or completely disappear into another world, right in the middle of the street.
Participating artists: Akmar, Danielle Alhassid, Ankabuta, Bhakti Bienemann, Nelleke Bosland, Anneke Bosma, Nynke Deinema, Henriëtte van ’t Hoog, Ine Lamers, Nils Muhlenbruch, Lies Neve, Anneliek Nieuwland, Astrid van Nimwegen, Inge Reisberman, Sam van Zoest.
The Final Show, Goes
8th International Biennale of Non Objective Arts, Leiden (II)
8th International Biennale of Non Objective Arts, Leiden (I)
The 8th International Biennale of Non Objective Arts will open on September 13, 2025, at Pont de Claix Grenoble. As part of a global network, EST will present a satellite exhibition in Leiden, which will also be on display during the Kunstroute Leiden.
Informal opening in Leiden
Saturday, September 20, 3 pm
Hours
Sunday, September 21, 1–5 pm
Saturday, September 27, 11 am – 5 pm
Sunday, September 28, 11 am – 5 pm
Address
Leiden Art Hub
Papegaaisbolwerk 20
2312 LW Leiden
Rhythm Section im Köşk, Munich (II)
Rhythm Section im Köşk, Munich (I)
Rhythm Section im Köşk
Exhibition | Workshop | Performances | Artist Talk
Köşk, Schillerstraße 38
80336 Munich, Germany
Exhibition curated by Ezgi Bakçay (Istanbul) and Katrin Savvulidi (Munich)
July 3–13, 2025
Opening: Thursday, July 3, 6 pm
Participating artists: Anet Sandra Açıkgöz, Anneke Bosma, Mehmet Çeper, Concernists, Daniel Geiger, Iemke van Dijk, Henriëtte van ’t Hoog, Gonghong Huang, Özkan Işık, Oleksiy Koval, Thomas Rieger, Riwar Collective, Veronika Wenger, Guido Winkler, Michael Wright
Program
Thursday, July 3
– 6 pm: Opening
Friday, July 4
– 7 pm: The Beautiful Formula Collective: live painting performance by Daniel Geiger, Oleksiy Koval, Thomas Rieger, Veronika Wenger and Michael Wright
Saturday, July 5
– 12 am: Artist talk with the curators and the artists
– 2 pm: The Beautiful Formula Workshop: ‘Rhythmus in der digitalen Malerei’, a workshop for children and youngsters
– 6 pm: Performance / presentation of the works made in the workshop
Verein für aktuelle Kunst, Oberhausen (II)

Turquoise, Orange, Purple, Silver, Gold, 2018, 70×50 cm
Indian Yellow, Turquoise under Silver and Gold, 2016, 70×50 cm
Red, Gold, 2016, 70×49 cm
Purple, Orange, Green under Copper, Gold and Silver, 2016, 70×50 cm
Black Corpus II, 2000, 89×68 cm
Red Corpus II, 2000, 89×68 cm

Blue, Silver, 2016, 61×46 cm
Wash-Up II, 2022, 49×68 cm
Turquoise, Bronze, Copper, Gold, 2019, 66×50 cm

Nine Dots II, 2008, 100×71 cm
Nine Dots I, 2008, 100×71 cm
Blue, Turquoise, Purple, Gold, 2019, 72×53 cm
Purple, Silver, Bronze I, 2020, 71×53 cm
All works watercolour on paper
Verein für aktuelle Kunst, Oberhausen (I)
Ausstellung 3
Verein für aktuelle Kunst / Ruhrgebiet e.V.
Zentrum Altenberg
Hansastraße 20
46049 Oberhausen
Germany
May 18 – June 22, 2025
Hours: Fri 3–5 pm, Sat 2–5 pm, Sun 11 am – 2 pm
Opening: Sunday, May 18, 2025, 11:30 am
Zu den Arbeiten von Henriëtte van ’t Hoog
Die Aquarelle von Henriëtte van ’t Hoog bilden einen faszinierenden Aspekt ihres Oeuvres. Ihr Aussehen auf einer Ebene zu beschreiben, ist relativ einfach. Viele bestehen aus asymmetrischen Reihen von Farbflecken, die in der Art ihrer Anordnung gesammelten Exemplaren von geologischen Gesteinen, Halbedelsteinen oder sogar in Musterreihen angeordneten Käfern ähneln. Sie vermitteln einen Eindruck von Taxonomien verwandter Formen. Doch bei näherer Betrachtung ist jede Aquarellform eine individuelle Meditation über Farbinteraktionen: wie Farbe mit einem deutlich dunkleren Rand auf dem Papier liegt, wie sich zwei Farben miteinander vermischen. Jede Form ist eine Variation der vorherigen. Dies ist eine der kreativen Strategien der Künstlerin, mit weniger mehr zu erreichen. Je nach Blick oder Blickwinkel auf ihre Arbeiten verschiebt sich die Wahrnehmung der Bilder, in die auch Gold- und Silberfarben aufgenommen sind, zwischen Transparenz und Undurchsichtigkeit. Man erlebt die Aquarelle nicht nur als Bilder, sondern auch als Ereignisse.
Michael Wright
10 out of 10, Goes
10 out of 10
Groupshow with our ten female artists
March 1–22 & April 3–12 (the gallery is closed during Art Rotterdam: March 27–30)
Hours: Thu–Sat, 1–5 pm, and by appointment
Opening: Saturday, March 8, 2–5 pm
Galerie van den Berge
Albert Joachimikade 5
4461 BG Goes
Netherlands
Focus: The Netherlands, Sofia
Focus: The Netherlands
geometric abstraction
nonsofia
36 Dondukov Boulevard, floor 2
1000 Sofia
Bulgaria
November 21, 2024 – January 19, 2025
Opening: November 21, 2024, 6:30 pm
Opening hours: during announced events, workshops and after appointment
Participating artists: Linda Arts (Goirle), Bob Bonies (The Hague), Iemke van Dijk (Leiden), Henriëtte van ’t Hoog (Amsterdam), Ditty Ketting (Rotterdam), Anneke Klein Kranenbarg †, Tonneke Sengers (Haarlem), Piet Tuytel (Haarlem), Jan Maarten Voskuil (Rotterdam) and Guido Winkler (Leiden)
In June 2024, the Leiden-based EST art foundation organized the exhibition Export: Bulgaria 5 in Leiden, introducing works by Bulgarian artists to a new audience. This show marked a new phase in a long-lasting collaboration between EST and the Bulgarian art foundation nonsofia.
Half a year later, nonsofia shows work of Dutch artists in the exhibition Focus: The Netherlands. The selected artists are closely related to the history of EST and nonsofia. Although EST follows the common denominator of concrete art, all artists employ their own set of rules in their work. The exhibition is supported by the National Culture Fund of Bulgaria.













